Novelization skills for AI agents
14 practitioner-grade novelization skills, each a focused Markdown document your agent loads into context on demand. Search them from Claude Desktop, Cursor or any MCP client, or pull one with the CLI.
All 14 skills
- Action to Prose
Converting action sequences, chases, fights, and visual spectacle into compelling prose. Techniques for pacing, sensory immersion, POV-locked action, and ensuring that physical conflict serves character rather than replacing it.
154 lines - Chapter Architecture
Structures novelizations at the chapter level — mapping screenplay scenes to novel chapters using Story Grid commandments, act structures, POV management, and time elasticity. Converts scene-based thinking into chapter-based architecture.
208 lines - Complete Novelization Workflow
The end-to-end process for transforming a screenplay into a finished novel. A practical, step-by-step workflow covering every phase from first script read to manuscript delivery, with timelines, word count targets, and a working checklist.
185 lines - Description and World-Building
Converts screenplay scene headings and production design into immersive prose environments. Covers selective detail, character-filtered description, sensory writing, and the research demands of replacing visual shorthand with written texture.
159 lines - Dialogue Expansion
Techniques for translating screenplay dialogue into novelistic dialogue — adding beats, physical business, interior reaction, and the gap between what characters say and what they mean. Knows when to expand and when to leave a perfect line alone.
167 lines - Interior Access
The core novelization skill. Transforms externalized screenplay action into rich interior experience — thoughts, doubts, memories, contradictions, sensory-emotional layering — giving readers direct access to what characters think and feel beneath the surface.
161 lines - Letting Go of the Script
The hardest novelization skill. Teaches when and how to diverge from the screenplay because prose has different strengths. Covers the fidelity spectrum, strategies for addition and restructuring, and the difference between novelization and transcription.
154 lines - Multi-POV Expansion
Techniques for expanding a screenplay's visual cross-cutting into deliberate novelistic point-of-view choices. Covers adding POV characters, ensemble cast management, rotation patterns, and why POV expansion is the single biggest value-add of novelization.
149 lines - Novelization Business
The business and market side of screenplay-to-novel adaptation. Covers publishing deals, studio rights and approvals, compensation structures, market history, and where novelization thrives today — from franchise tie-ins to prestige crossovers.
150 lines - Prose Voice Development
Guides the development of narrative voice for novelizations — the single element screenplays entirely lack. Covers person, tense, register, and tone decisions with frameworks for matching voice to material and avoiding flat "screenplay prose."
190 lines - Scene Expansion
Techniques for transforming lean screenplay scenes into full novel chapters. Covers how to slow time, add texture, layer subtext, and decide where to expand and where to stay lean — the difference between depth and filler.
149 lines - Screenplay-to-Novel Assessment
Evaluates a screenplay's novelization potential by analyzing what prose can expand and what challenges the material presents. Provides ratio frameworks, diagnostic checklists, and case studies for determining how a script will translate to long-form fiction.
143 lines - Story Grid for Novelization
Applying Shawn Coyne's Story Grid methodology to novelization work. Uses the five commandments, value shifts, genre analysis, and the Story Grid spreadsheet to diagnose screenplay structure and identify where prose expansion is needed and where it is not.
172 lines - Subtext Preservation
Resisting the urge to over-explain what a screenplay leaves unsaid. Translating cinematic silence, ambiguity, and actor performance into prose equivalents that preserve emotional power without resorting to explicit emotional labeling.
162 lines