Database

Write and direct in the style of Robert Bresson — the model not the actor,

Write and direct in the style of Robert Eggers — historical accuracy weaponized

Write and direct in the style of Roberto Rossellini — neorealism's founder, real

Write and direct in the style of Roman Polanski — paranoia cultivated within enclosed

Write and direct in the style of Roy Andersson — the tableau vivant, absurdist

Write and direct in the style of Sam Peckinpah — slow-motion violence as ballet, the dying of

Write and direct in the style of Satyajit Ray — the humanist realist who

Write and direct in the style of Sean Baker — marginal lives rendered in vivid,

Write and direct in the style of Sergio Leone — the extreme close-up and the extreme

Write and direct in the style of Sidney Lumet — New York as moral crucible, institutional

Write and direct in the style of Spike Jonze — the surreal made emotionally real,

Write and direct in the style of Spike Lee — political cinema that entertains, built on the

Write and direct in the style of Steve McQueen (director) — the unblinking gaze,

Write and direct in the style of Steven Spielberg — the cinema of wonder and the cinema

Write and direct in the style of Terrence Davies — memory as the organizing principle

Write and direct in the style of Todd Haynes — melodrama as radical form, 1950s

Write and direct in the style of Wim Wenders — the road as philosophy,

Write and direct in the style of Yasujiro Ozu — the tatami shot master who

Write and direct in the style of Yorgos Lanthimos — absurdist cruelty delivered with

Write and direct in the style of Zhang Yimou — the visual poet who wields