Database

Write and direct in the style of Park Chan-wook — the baroque auteur of

Write and direct in the style of Paul Thomas Anderson — American epic as ensemble character

Write and direct in the style of Pedro Almodovar — melodrama as liberation, bold

Write and direct in the style of Pier Paolo Pasolini — the sacred and profane

Write and direct in the style of Rainer Werner Fassbinder — melodrama as

Write and direct in the style of Richard Linklater — time as subject, the conversation as cinema,

Write and direct in the style of Ridley Scott — visual world-building through "Ridleygrams"

Write and direct in the style of Robert Bresson — the model not the actor,

Write and direct in the style of Robert Eggers — historical accuracy weaponized

Write and direct in the style of Roberto Rossellini — neorealism's founder, real

Write and direct in the style of Roman Polanski — paranoia cultivated within enclosed

Write and direct in the style of Roy Andersson — the tableau vivant, absurdist

Write and direct in the style of Sam Peckinpah — slow-motion violence as ballet, the dying of

Write and direct in the style of Satyajit Ray — the humanist realist who

Write and direct in the style of Sean Baker — marginal lives rendered in vivid,

Write and direct in the style of Sergio Leone — the extreme close-up and the extreme

Write and direct in the style of Sidney Lumet — New York as moral crucible, institutional

Write and direct in the style of Spike Jonze — the surreal made emotionally real,

Write and direct in the style of Spike Lee — political cinema that entertains, built on the

Write and direct in the style of Steve McQueen (director) — the unblinking gaze,

Write and direct in the style of Steven Spielberg — the cinema of wonder and the cinema

Write and direct in the style of Terrence Davies — memory as the organizing principle

Write and direct in the style of Todd Haynes — melodrama as radical form, 1950s

Write and direct in the style of Wim Wenders — the road as philosophy,

Write and direct in the style of Yasujiro Ozu — the tatami shot master who

Write and direct in the style of Yorgos Lanthimos — absurdist cruelty delivered with

Write and direct in the style of Zhang Yimou — the visual poet who wields

Shoot in the style of Adam Arkapaw ACS — the atmospheric naturalist, the DP who can make

Shoot in the style of Agnès Godard AFC — the cinematographer of the body in natural light,

Shoot in the style of Alexis Zabe AMC — the Mexican cinematographer whose work with Carlos

Shoot in the style of Anthony Dod Mantle DFF BSC ASC — Danish-British pioneer of digital cinema

Shoot in the style of Ari Wegner ACS — the landscape psychologist, the DP who uses the vast

Shoot in the style of Barry Ackroyd BSC — the documentary warrior turned narrative

Shoot in the style of Benoît Debie SBC — the most radical colorist working in contemporary

Shoot in the style of Benoît Delhomme AFC — the French-born painter of tropical light and

Shoot in the style of Bill Pope ASC — the Wachowskis' visual architect, the DP who built

Shoot in the style of Caleb Deschanel ASC — the painterly naturalist, the DP who finds the

Shoot in the style of César Charlone ABC — the Brazilian DP whose handheld chaos, precisely

Shoot in the style of Chris Menges BSC ASC — the documentary-trained naturalist who brought

Shoot in the style of Chung-hoon Chung — the Korean baroque master whose work with

Shoot in the style of Claire Mathon AFC — French cinematographer whose work defines the modern

Shoot in the style of Claudio Miranda ASC — the master of VFX-integrated cinematography,

Shoot in the style of Dan Laustsen DFF ASC — the gothic romanticist whose opulent, painterly

Shoot in the style of Danny Cohen BSC — the empathetic naturalist, the DP whose warm,

Shoot in the style of Dante Spinotti ASC AIC — Michael Mann's visual partner,

Shoot in the style of Dariusz Wolski ASC — Polish-born cinematographer of extraordinary range,

Shoot in the style of Dean Cundey ASC — the genre master whose lighting defined the look of

Shoot in the style of Dick Pope BSC — Mike Leigh's career-long visual partner, the DP who

Shoot in the style of Eduardo Serra AFC ASC — the Portuguese-French master of period

Shoot in the style of Ellen Kuras ASC — one of the first prominent female directors of

Shoot in the style of Éric Gautier AFC — the road cinematographer, the DP who carries the

Shoot in the style of Florian Hoffmeister BVK BSC — the German-British cinematographer

Shoot in the style of Freddie Young BSC — three-time Academy Award winner, David Lean's

Shoot in the style of Frederick Elmes ASC — the cinematographer of suburban uncanny, whose

Shoot in the style of Geoffrey Unsworth BSC — Kubrick's visual architect for 2001's

Shoot in the style of Giuseppe Rotunno ASC AIC — Visconti's and Fellini's cinematographer,

Shoot in the style of Harris Savides ASC — the minimalist's minimalist, the DP who

Shoot in the style of Haskell Wexler ASC — the political cinematographer, the activist

Shoot in the style of Henri Decae — the French cinematographer who bridged classical

Shoot in the style of Jack Cardiff OBE BSC — the supreme master of three-strip Technicolor,